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Students
are constantly exposed to advertising messages designed to make them
believe they cant live without a certain product. Even though
the average teenager knows it is advertising and is probably stretching
or distorting the truth, he or she still is effected by the charm
and appealing presentation of advertising.
Contemporary artists, such as the Guerrilla Girls, Jenny Holtzer,
and the collaborative artist team of Elizabeth Sisco, Louis Hock,
and David Avalos use the style and sometimes the means of mass media
to bring their messages to the people. These artists use bus, billboard,
and poster graphics along with traditional museum and gallery exhibitions
and installations to show their work. The messages come from social
and political issues. These include everything from feminist issues
to immigration and labor issues. This democratic, and often, controversial
approach to artmaking is a nice fit for a majority of urban youth
who rarely are given an opportunity to see contemporary "fine
art," but who are very savvy about the arts of popular culture.
To begin this project, the students looked at the ways in which artist
Barbara Kruger pairs text and image to examine how culture shapes
our awareness and sense of reality and possibility. Using an inexpensive
digital camera and a couple of computers, the art students created
powerful statements about education, police brutality, Black on Black
violence, teen pregnancy, fatherless homes, self esteem, and other
issues that effect their lives.
Each student created a series of related pieces--looking for ways
to most effectively capture attention and generate thought about the
issue. Initially students tended to create text that literally described
the image or issue. After much discussion and observation of other
students works-in-progress, they gradually developed more complex
approaches to combining text and image.
The Power of Advertising project doesnt celebrate technology
or make it the core of the content. Instead, the project uses contemporary
technology in a matter-of-fact way--combining "high tech"
black-and-white digital photography and large scale xeroxing with
adding color with colored pencil or tempera paint in order to make
the project accessible to a number of students in a low-tech classroom.
It vividly shows that teachers dont have to choose between content
and technology or eschew working with technology in schools without
much funding for equipment. |
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