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audition schedule
arrange an audition
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audition criteria
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email the dept. of performing arts email
the music dept. email the theatre dept. email the Box Office or call
(312)996-2939
UIC Department of Performing Arts
College of Architecture and the Arts
EPASW Bldg. 1040 W. Harrison St. MC-255
Chicago, IL 60607
phone 312-996-2977 | fax 312-996-0954
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2010 Music Audition Schedule
Day
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Date
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Time
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| Sunday |
January 24, 2010 |
11:00-2:00 |
| Sunday |
February 14, 2010 |
11:00-2:00 |
| Monday |
February 15, 2010 |
4:00-8:00 |
| Sunday |
March 14, 2010 |
10:00-1:00 |
Please note that applications to the Performance Major
are NOT completewithout an audition.
Contact:
Audition Committee
Tel: +1(312)996-8746
Fax: +1(312)996-0954
Email: Auditions Coordinator
Location:
Auditions will be conducted in room L060 of
the Education, Performing Arts, and Social Work (EPASW) Building,
1040 West Harrison Street, Chicago, IL, (312) 996-8746.
Arranging an
Audition
Audition Criteria
Voice:
- 6 minutes prepared solo literature
(from contrasting art songs, arias, lieder,
etc.)
- Bring 3 copies of your music for the committee and accompanist
Vocalizing for range, color, and flexibility
- Sight Reading
Woodwinds:
- 4 minutes prepared solo literature. Bring 2 copies of your music
for the committee
- Major Scales: f, b-flat, e-flat, g, d, a; Two or three octaves
as possible
- Chromatic Scale: 3 octave range, saxes to high f (woodwinds only)
- Sight Reading
Brass:
- 4 minutes prepared solo literature. Bring 2 copies of your music
for the committee
- Major Scales: F, B-flat, G, D. one or two octaves as possible
- Chromatic Scale, two octave range
- Sight Reading
Classical Guitar:
- Scales, with position shifts:
C major, 2 octaves
G major, 3 octaves
E major, 3 octaves
- Technique Studies: Choose one of the following: any of the 25 Progressive
Studies
by Matteo Carcassi, or any of the 20 Studies, Segovia edition
by Fernando Sor.
Piano:
- All major and minor scales in 4 octaves as well as arpeggios
- Prelude and Fugue Bach
- A fast movement from a classical sonata (Mozart, Haydn, or Beethoven)
- A 19th century romantic piece or a 20th century selection
- All selections by memory
Percussion:
- 2 minutes prepared snare drum solo
- Bring 2 copies of your music
for the committee
- One minute prepared timpani and/or two minutes prepared mallet
solo
- Jazz drummers should bring 2-3 minutes of prepared drum set music
as well
- Sight reading
Strings:
- Three minutes of prepared solo work, preferable music from two contrasting movements
- Major scales through three flats and three sharps will also be asked
- Sight reading
Call the office of the UIC audition office
for more information,
audition dates or to make an appointment at (312)
996-8746.
____________________________________________________________________________
Jazz Studies Audition Criteria
For more information on jazz requirements,
contact Prof. Zvonimir Tot, Jazz Studies, at ztot@uic.edu
General Requirements:
- Ability to improvise in the jazz idiom
- Basic knowledge of jazz harmony and chord/scale relationships,
as applicable to your instrument
- Basic music literacy.
Specific Requirements:
Jazz voice
- Sight-sing a melody in the jazz idiom
- Jazz standard: theme and (optional) scat-improvisation
(Example: Autumn Leaves, Just Friends)
- Jazz ballad (Example: Misty, Polkadots and Moonbeams)
(Also see general requirements above.)
Jazz woodwinds and brass:
- Major scales: F, Bb, Eb, G, D, A; Two or three octaves as possible
- Chromatic scale: Two or three octaves as possible, saxes to high f
- Sight-read a melody in the jazz idiom
- Jazz blues: theme, improvisation (Example: Blue Monk, Tenor Madness)
- Jazz standard: theme, improvisation (Example: Autumn Leaves, Just Friends)
- Jazz ballad: theme, improvisation (Example: Misty, Polkadots and Moonbeams)
(Also see general requirements above.)
Jazz guitar:
- Major scales: F, Bb, Eb, G, D, A; Two octaves (as possible) in at least two position.
- Sight-read a melody in the jazz idiom
- Be familiar with basic jazz chords (Freddie Green style)
- Sight-read a chord chart in the jazz idiom
- Jazz blues: theme, improvisation, accompaniment (Example: Blue Monk, Tenor Madness)
- Jazz standard: theme, improvisation, accompaniment (Example: Autumn Leaves, Just Friends)
- Optional: Solo arrangement of a jazz ballad (Example: Misty, Polkadots and Moonbeams)
(Also see general requirements above.)
Jazz piano:
- Working knowledge of jazz chords and voicings
- Major and minor (natural, harmonic, melodic) scales up to 4 sharps and 4 flats,
preferably with two hands through four octaves
- Chromatic scale, preferably with two hands
- Sight-read a melody in the jazz idiom
- Sight-read a chord chart in the jazz idiom
- Jazz blues: theme, improvisation, accompaniment (Example: Blue Monk, Tenor Madness)
- Jazz standard: theme, improvisation, accompaniment (Example: Autumn Leaves, Just Friends)
- Optional: Solo arrangement of a jazz ballad (Example: Misty, Polkadots and Moonbeams)
(Also see general requirements above.)
Jazz double bass and bass guitar:
- Major Scales: F, Bb, Eb, G, D, A; Two octaves
- Sight-read a melody in the jazz idiom
- Improvise a walking bass line over given chord changes
- Jazz blues: theme, walking bass, improvisation (Example: Blue Monk, Tenor Madness)
- Jazz standard: : theme, walking bass, improvisation (Example: Autumn Leaves, Just Friends)
- Jazz ballad: Theme, accompaniment, improvisation (Example: Misty, Polkadots and Moonbeams)
(Also see general requirements above.)
Jazz drums:
- Sight-read a drum set part in the jazz idiom
- Grooves: jazz ballad, medium swing, fast swing, jazz waltz, funk, samba, bossa nova
- “Trade 4s” and “trade 8s” with the band
- Be able to play five jazz standards from memory
- Improvise a drum solo in the jazz idiom
(Also see general requirements above.)
Additional information: UIC
Choirs, Concert
Band, String Ensemble, Pep Band, Jazz Ensemble
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