Music Audition Requirements

for Vocal and Instrumental Majors,
and Performance Track

audition schedule
arrange an audition
audition application
audition criteria

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Quick Contacts

email the dept. of performing arts

email the music dept.

email the theatre dept.

email the Box Office or call
(312)996-2939

UIC Department of Performing Arts
College of Architecture and the Arts
EPASW Bldg. 1040 W. Harrison St. MC-255
Chicago, IL 60607
phone 312-996-2977 | fax 312-996-0954

2010 Music Audition Schedule

Please note that applications to the Performance Major
are NOT completewithout an audition.

Contact:

Audition Committee
Tel: +1(312)996-8746
Fax: +1(312)996-0954
Email: Auditions Coordinator

Location:

Auditions will be conducted in room L060 of
the Education, Performing Arts, and Social Work (EPASW) Building,
1040 West Harrison Street, Chicago, IL, (312) 996-8746.

Arranging an Audition

Audition Criteria

Voice:

• 6 minutes prepared solo literature
  (from contrasting art songs, arias, lieder, etc.)
• Bring 3 copies of your music for the committee and accompanist
  Vocalizing for range, color, and flexibility
• Sight Reading

Woodwinds:

• 4 minutes prepared solo literature. Bring 2 copies of your music for the committee
• Major Scales: f, b-flat, e-flat, g, d, a; Two or three octaves as possible
• Chromatic Scale: 3 octave range, saxes to high f (woodwinds only)
• Sight Reading

Brass:

• 4 minutes prepared solo literature. Bring 2 copies of your music for the committee
• Major Scales: F, B-flat, G, D. one or two octaves as possible
• Chromatic Scale, two octave range
• Sight Reading

Classical Guitar:

• Scales, with position shifts:
  C major, 2 octaves
  G major, 3 octaves
  E major, 3 octaves
  
• Technique Studies: Choose one of the following: any of the 25 Progressive Studies
  by Matteo Carcassi, or any of the 20 Studies, Segovia edition by Fernando Sor.

Piano:

• All major and minor scales in 4 octaves as well as arpeggios
• Prelude and Fugue Bach
• A fast movement from a classical sonata (Mozart, Haydn, or Beethoven)
• A 19th century romantic piece or a 20th century selection
• All selections by memory

Percussion:

• 2 minutes prepared snare drum solo
• Bring 2 copies of your music for the committee
• One minute prepared timpani and/or two minutes prepared mallet solo
• Jazz drummers should bring 2-3 minutes of prepared drum set music as well
• Sight reading

Strings:

• Three minutes of prepared solo work, preferable music from two contrasting movements
• Major scales through three flats and three sharps will also be asked
• Sight reading
  
  

Call the office of the UIC audition office for more information,
audition dates or to make an appointment at (312) 996-8746.

____________________________________________________________________________

Jazz Studies Audition Criteria

For more information on jazz requirements,
contact Prof. Zvonimir Tot, Jazz Studies, at ztot@uic.edu

General Requirements:

• Ability to improvise in the jazz idiom
• Basic knowledge of jazz harmony and chord/scale relationships,
  as applicable to your instrument
  
• Basic music literacy.
  

Specific Requirements:

Jazz voice

• Sight-sing a melody in the jazz idiom
  
• Jazz standard: theme and (optional) scat-improvisation
  (Example: Autumn Leaves, Just Friends)
  
• Jazz ballad (Example: Misty, Polkadots and Moonbeams)
  
  (Also see general requirements above.)
  

Jazz woodwinds and brass:

• Major scales: F, Bb, Eb, G, D, A; Two or three octaves as possible
• Chromatic scale: Two or three octaves as possible, saxes to high f
• Sight-read a melody in the jazz idiom
• Jazz blues: theme, improvisation (Example: Blue Monk, Tenor Madness)
  
• Jazz standard: theme, improvisation (Example: Autumn Leaves, Just Friends)
  
• Jazz ballad: theme, improvisation (Example: Misty, Polkadots and Moonbeams)
  
  (Also see general requirements above.)
  

Jazz guitar:

• Major scales: F, Bb, Eb, G, D, A; Two octaves (as possible) in at least two position.
• Sight-read a melody in the jazz idiom
• Be familiar with basic jazz chords (Freddie Green style)
• Sight-read a chord chart in the jazz idiom
• Jazz blues: theme, improvisation, accompaniment (Example: Blue Monk, Tenor Madness)
• Jazz standard: theme, improvisation, accompaniment (Example: Autumn Leaves, Just Friends)
• Optional: Solo arrangement of a jazz ballad (Example: Misty, Polkadots and Moonbeams)
  
  (Also see general requirements above.)

Jazz piano:

• Working knowledge of jazz chords and voicings
  
• Major and minor (natural, harmonic, melodic) scales up to 4 sharps and 4 flats,
  preferably with two hands through four octaves
  
• Chromatic scale, preferably with two hands
  
• Sight-read a melody in the jazz idiom
  
• Sight-read a chord chart in the jazz idiom
  
• Jazz blues: theme, improvisation, accompaniment (Example: Blue Monk, Tenor Madness)
  
• Jazz standard: theme, improvisation, accompaniment (Example: Autumn Leaves, Just Friends)
  
• Optional: Solo arrangement of a jazz ballad (Example: Misty, Polkadots and Moonbeams)
  
  (Also see general requirements above.)

Jazz double bass and bass guitar:

• Major Scales: F, Bb, Eb, G, D, A; Two octaves
  
• Sight-read a melody in the jazz idiom
  
• Improvise a walking bass line over given chord changes
  
• Jazz blues: theme, walking bass, improvisation (Example: Blue Monk, Tenor Madness)
  
• Jazz standard: : theme, walking bass, improvisation (Example: Autumn Leaves, Just Friends)
  
• Jazz ballad: Theme, accompaniment, improvisation (Example: Misty, Polkadots and Moonbeams)
  
  (Also see general requirements above.)

Jazz drums:

• Sight-read a drum set part in the jazz idiom
• Grooves: jazz ballad, medium swing, fast swing, jazz waltz, funk, samba, bossa nova
• “Trade 4s” and “trade 8s” with the band
• Be able to play five jazz standards from memory
• Improvise a drum solo in the jazz idiom
  
  (Also see general requirements above.)

Additional information: UIC Choirs, Concert Band, String Ensemble, Pep Band, Jazz Ensemble