Theater Courses


theatre productions
auditions for theatre productions

auditions for the theatre program

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UIC Department of Performing Arts
College of Architecture and the Arts
EPASW Bldg. 1040 W. Harrison St. MC-255
Chicago, IL 60607
phone 312-996-2977 | fax 312-996-0954

The information below lists courses approved in this subject area effective Fall, 2004 . Not all courses will necessarily be offered these terms. Please consult the Timetable for a listing of courses offered for a specific term.

109 Introduction to Theatre
3 hours. Understanding the theatre experience through production examples and the critical examination of the contributions of playwright, actor, director, designer, and audience. Play attendance required.

140 Polish Drama in Translation
3 hours. Elementary aspects of Polish dramatic theory and close reading of representative scripts selected from various periods. Same as POL 140. Taught in English.

150 Technical Theatre
3 hours. Basic techniques of play production. Survey of methods and materials of set construction, painting, stage lighting, backstage organization. Practical work with University Theatre.

151 Fundamentals in Costume Construction
3 hours. Fundamentals of costume construction from conception to realization, through the use of sewing machines, pattern making, and historical research with practical projects.

161 Fundamentals of Acting
3 hours. Basic vocal and physical stage performance techniques including the role of character in relation to the intellectual and emotional landscape of a play.

209 Modern Theatre
3 hours. Theatre theories and techniques developed between 1870 and the present, notably those of Ibsen, Appia, Stanislavsky, Meyerhold, Brecht, Artaud, and Grotowski. Prerequisite(s) : THTR 109.

210 Movement for Stage I
3 hours. Techniques in the physicalization of performance. Focus on the body in space as both primary and integrated theatrical communication. Prerequisite(s) : Credit or concurrent registration in THTR 161.

245 East Asian Theatre
3 hours. Survey of traditional theatre forms in China, Japan, and Korea, their cultural contexts, and influence on today's theatre. Students may also choose to research theatres of South East Asia. Cultural Diversity course.

250 Principles of Design
3 hours. Fundamental principles of visual perception: space, mass, balance, line, texture, shape, color, light, movement, tension and their use in creating visual environments for performance. Practical design projects required. Prerequisite(s) : Grade of B or better in THTR 150.

255 Scene Design
3 hours. Basic interpretive and practical techniques in creating 3-dimensional performance environments including conceptualization, drafting, rendering and model building. Prerequisite(s) : Grade of B or better in THTR 150.

256 Lighting Design
3 hours. Basic interpretive and practical techniques in creating and enhancing 3-dimensional performance environments through lighting. Prerequisite(s) : Grade of B or better in THTR 150.

257 Costume Design I
3 hours. Basic interpretive and practical techniques in designing stage costumes including conceptualization, rendering and construction techniques. Prerequisite(s) : Grade of B or better in THTR 151.

258 Costume Design II
3 hours. Practical research and rendering techniques in designing stage costumes for use in theatrical productions. Prerequisite(s) : Grade of B or better in THTR 257.

259 Makeup Design
3 hours. Principle of designing and applying makeup for stage performances including prosthetics and wigs. Prerequisite(s) : Grade of B or better in THTR 150 or grade of B or better in THTR 151.

260 The Actor's Voice
3 hours. Fundamentals of vocal production, their physical and emotional characteristics and their relationship to body, space, action and emotion. Prerequisite(s) : Grade of B or better in THTR 161.

261 Advanced Voice for the Actor
3 hours. The relationship between speech, sound and dramatic sense. Advanced techniques for the development of voice in conjunction with dramatic texts. Prerequisite(s) : Grade of B or better in THTR 260.

262 Acting II: Contemporary
3 hours. Techniques of interpreting text, character, and dramatic action. Includes attention to alternative dramatic forms and modes of performance. Prerequisite(s) : Grade of B or better in THTR 161.

280 Practicum in Performance
3 hours. Rehearsal and performance techniques, including script analysis, characterization, voice, movement, directing, or design. May be repeated to a maximum of 18 hours. Students may register in more than one section per term. Prerequisite(s) : Approval of the department and completion of a successful audition.

281 Practicum in Theatre Administration
1 TO 6 hours. Planning and execution of specific projects in administration and box office; publicity, budget, marketing, house management, and scheduling. May be repeated to a maximum of 6 hours. Students may register in more than one section per term. Prerequisite(s) : Consent of the instructor.

282 Practicum in Costuming
1 TO 6 hours. Practical experience in all aspects of construction and maintenance, including millinery, mask making, wig making, pattern drafting, and makeup application. May be repeated to a maximum of 15 hours. Students may register in more than one section per term. Prerequisite(s) : Consent of the instructor.

283 Practicum in Technical Theatre
1 TO 6 hours. Practical experience in various technical areas: scenery construction, set painting, stage lighting, sound, and properties construction. May be repeated to a maximum of 15 hours. Students may register in more than one section per term. Prerequisite(s) : Consent of the instructor.

284 Seminar on Play in Production
3 hours. Research and development for play production using the current University production as an example. Special topics. May be repeated to a maximum of 6 hours. Prerequisite(s) : Consent of the instructor.

299 Individual Topics
1 TO 3 hours. Individual investigation of special problems. May be repeated to a maximum of 6 hours. Students may register in more than one section per term. Prerequisite(s) : Junior standing, a 2.50 grade point average, and consent of the instructor.

310 Movement for Stage II
3 hours. Advanced techniques in the physicalization of performance and the correlation of body and text as communicators of dramatic action. Prerequisite(s) : Grade of B or better in THTR 210; and junior standing or above. Recommended background: Advanced actor training and voice training.

362 Acting: Ensemble Project
3 hours. Process and scoring of character development in a full-length twentieth-century play. May be repeated to a maximum of 6 hours. Prerequisite(s) : Grade of B or better in THTR 210 and grade of B or better in THTR 260 and grade of B or better in THTR 262; and sophomore standing or above.

410 Movement for Stage III
3 OR 4 hours. Specialized topics in movement-based performance skills, such as stage combat, circus techniques, and mask work. 3 undergraduate hours. 4 graduate hours. Prerequisite(s) : Grade of B or better in THTR 310 and advanced physical performance experience; or graduate standing in theatre.

423 Playwriting
3 OR 4 hours. The development of scripts for stage performance. Same as ENGL 495. 3 undergraduate hours. 4 graduate hours. Prerequisite(s) : Junior standing or above; and approval of the department and submission and approval of a playwriting sample or dialog-centered fiction prior to registration.

444 Drama in Its Cultural Context I
3 OR 4 hours. Drama in its social and cultural context, through the seventeenth century. 3 undergraduate hours. 4 graduate hours.

445 Drama in Its Cultural Context II
3 OR 4 hours. Drama in its social and cultural context, eighteenth to twentieth centuries. 3 undergraduate hours. 4 graduate hours.

452 Acting: Greeks and Shakespeare
3 OR 4 hours. Techniques of performing Greek and Shakespearean drama. 3 undergraduate hours. 4 graduate hours. Prerequisite(s) : Grade of B or better in THTR 261 and grade of B or better in THTR 262 or graduate standing in theatre.

455 Acting: Comedy
3 OR 4 hours. Techniques of performing classic comedy. Emphasis on the "Commedia dell'arte" and improvisational comedy. Topics vary. 3 undergraduate hours. 4 graduate hours. Prerequisite(s) : Grade of B or better in THTR 262 or graduate standing in theatre.

458 Acting: Ibsen and Chekhov
3 OR 4 hours. Techniques of performing Ibsen, Chekhov, and their contemporaries. 3 undergraduate hours. 4 graduate hours. Prerequisite(s) : Grade of B or better in THTR 262 or graduate standing in theatre.

462 Voice for Stage
3 OR 4 hours. Advanced techniques in the integration of voice, speech, dialects, and other text-related vocal performance skills. 3 undergraduate hours. 4 graduate hours. Prerequisite(s) : Grade of B or better in THTR 261 or graduate standing in theatre.

464 Special Projects in Theatrical Design
3 OR 4 hours. Twentieth-century styles: design for the contemporary stage. Problems in conceptualization, realization, and execution. 3 undergraduate hours. 4 graduate hours. May be repeated up to 2 time(s). Prerequisite(s) : THTR 250 or THTR 256; or THTR 257 and THTR 259; or graduate standing in theatre.

465 Stage Direction
3 OR 4 hours. Exploration of conceptual planning and implementation skills for the stage director ranging from script interpretation to rehearsal and performance. Performance projects required. 3 undergraduate hours. 4 graduate hours. Prerequisite(s) : THTR 210 and THTR 250 and THTR 262; and THTR 256 or THTR 257 or graduate standing in theatre.

466 Special Projects in Performance Training
3 OR 4 hours. Training in varying advanced techniques of performance. 3 undergraduate hours. 4 graduate hours. May be repeated up to 2 time(s). Prerequisite(s) : THTR 262; or for graduate students, consent of the instructor.

470 Contemporary Performance Techniques
3 OR 4 hours. The relationship of contemporary theory and performance techniques with attention to both text and non-text based forms. Topics vary. Performance projects required. 3 undergraduate hours. 4 graduate hours. May be repeated up to 1 time(s). Prerequisite(s) : Grade of B or better in THTR 262; or graduate standing in theatre.

472 Investigative Collaboration
3 OR 4 hours. Collaboration as the primary means for theatrical creation. Production teams assigned to joint-production projects. Topics vary. 3 undergraduate hours. 4 graduate hours. May be repeated up to 1 time(s). Prerequisite(s) : Grade of B or better in THTR 262; or graduate standing in theatre.

474 Internship
3 TO 8 hours. Students work in an approved professional setting. Individual projects developed through conferences with a faculty member and a field supervisor. May be repeated. Only three hours may be applied toward theatre major requirements. Prerequisite(s) : 12 hours of upper-division courses in theatre, with a 3.00 grade point average in those courses; recommendation of two faculty members and approval of department obtained in semester prior to internship.

475 Audition Technique
3 OR 4 hours. Selection and staging of audition pieces from both classical and modern drama. 3 undergraduate hours. 4 graduate hours. Prerequisite(s) : Grade of B or better in THTR 261 and grade of B or better in THTR 452 and grade of B or better in THTR 210; or graduate standing.

491 Study Abroad in Theatre
0 TO 16 hours. Study abroad within an approved foreign exchange program or department sponsored program. May be repeated with approval. Approval to repeat course granted by the department. Prerequisite(s) : Approval of the department.

498 Independent Study
1 TO 4 hours. Individual investigation of special problems that may be student-initiated or related to faculty research. May also be used for special University-sponsored projects, such as interdisciplinary seminars. May be repeated to a maximum of 6 hours. Students may register in more than one section per term. Prerequisite(s) : Senior or graduate standing and approval of the department.

502 Introduction to Research in Theatre
4 hours. Focuses on the research directors and scholars need to do to make informed choices.

522 Theories of Theatre
4 hours. Nature of the theatrical experience. Emphasis on topics varies, for example theory of comedy; semiotics of theatre; dada, surrealism, expressionism, futurism. May be repeated to a maximum of 12 hours. Prerequisite(s) : At least three of the following: THTR 209; THTR 245; THTR 262; THTR 284, THTR 425; or consent of the instructor.

523 Special Topics in Dramatic Criticism
4 hours. Intensive analysis of an individual critic or school, or critical history of an important play. May be repeated to a maximum of 12 hours.

596 Independent Research
1 TO 4 hours. Department approved research projects not included in thesis research. May be repeated to a maximum of 6 hours. Students may register in more than one section per term. Prerequisite(s) : Consent of the director of graduate studies.

597 Thesis Production
0 TO 8 hours. Under the guidance of an advisor and committee, the student creates a theatre or video production, together with a written explanation of the work's intended significance. Satisfactory/Unsatisfactory grading only. Prerequisite(s) : Approval of faculty thesis production committee.

598 Thesis Research
0 TO 16 hours. Under the guidance of an advisor and committee, the student develops and conducts a research project addressing a theatre problem of a basic or applied nature. Satisfactory/Unsatisfactory grading only. May be repeated. Students may register in more than one section per term. Prerequisite(s) : Approval of faculty thesis research committee.

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