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Virginia Miller

Virginia Elizabeth Miller

Department of Art History (M/C 201)
211B Henry Hall
University of Illinois at Chicago
935 West Harrison Street
Chicago, IL 60607-7039
(312) 413-2467 FAX: (312) 413-2460
mail icon vem@uic.edu

Professor Miller’s Web Site

Course Links

Education

  • B.A., McGill University Montreal, with distinction in French and Spanish, 1969
  • Universidad Nacional Mexico Autónoma de México City 1970
    Art History, Spanish courses
  • M.A., University of Texas Austin, Latin American Studies, 1973
  • Ph.D., University of Texas Austin, Art History, 1981
    Title of Dissertation: Pose and Gesture in Classic Maya Monumental Sculpture

Academic Experience

University of Illinois at Chicago, Department of Art History

  • Visiting Lecturer, 1977–79
  • Assistant Professor, 1982–1992
  • Associate Professor, 1992—
    Introduction to the Visual Arts, Art and Architecture of Latin America, Latin American Art and Cinema (team-taught), African and Oceanic Art, Pre-Columbian Architecture, Pre-Columbian Art, Pre-Columbian Art of Mesoamerica, Art and Prehistory of Peru (team-taught), Pre-Columbian Art of South America, Native American Art
    Seminars: Art of the Ancient Maya, The Sacred and the Secular, Indigenous Arts of the Americas: 500 Years of Changing Traditions, Engendering the Arts of the Indigenous Americas

Autonomous University of Yucatán, Mérida

  • Visiting Professor, Faculty of Anthropology, Spring 1997
    Art of the Maya

Universidad del Valle, Guatemala City

  • Visiting Professor, Department of Archaeology, Spring 1993
    Maya Art and Iconography, Mesoamerican Archaeology

Northwestern University

  • Lecturer, Department of Art History, Fall 1992
    Art and Architecture of the Ancient Maya

Oberlin College, Oberlin, Ohio

  • Instructor, Department of Art, 1980–81
    Mesoamerican Art, African Art, Pre-Columbian Art of South America, Seminar in Pre-Columbian and Primitive Art, Art and Archaeology of the Ancient Maya (team-taught)

University of Texas

  • Teaching Assistant, Department of Spanish, 1973–74
    Beginning and Intermediate Spanish

Teaching Award

Council for Excellence in Teaching and Learning Award, University of Illinois-Chicago, 1999

Academic Services

Department of Art History

  • Awards Committee 1983–84, 1986–87, 1994–95, 2001–02
  • Department Guidelines Committee 1984–85
  • Introduction to the Visual Arts Committee, Chair 1984–85
  • Computer Committee 1984–85
  • Executive Committee 1984–87, 1990–92, 1996, 1998–00
  • Personnel Committee, Chair 1997–98, 1999–00 1997–00
  • Curriculum Committee, Chair 1990–92
  • Search Committee for modernist art historian 1993–94
  • Search Committee for Africanist art historian 1994–95
  • Director of Graduate Studies 1994–96
  • Graduate Program Committee 1997–98, 2000, 2001–02

College of Architecture and the Arts

  • Planning Task Force for Computer Utilization 1983–84
  • Executive Committee 1984, 1994–96
  • Educational Policy Committee 1990–91, 1993–95, 2000
  • Search Committee for Dean of College of Architecture, Art, and Urban Planning 1991–92
  • Committee to Select Teaching Award Nominee 1998

University of Illinois at Chicago

  • Honors College Member 1991—
  • Chancellor’s Committee on the Status of Women, 1990–92
  • Subcommittee on Academic and Curricular Issues
  • Moderator, panel on women and research 1992
  • Review Committee for Spanish, French, Italian and Portuguese Department 1998
  • Fulbright interviewer 1999
  • Committee on Excellence in Teaching and Learning 1999–2002
  • Review Committee for Department of Performing Arts 2000
  • Search Committee, position for Native American specialist 2001–2002

National

  • Chair, Award committee for best book published on Latin American art
    Association for Latin American Art History 1999–2000

Related Professional Activities

Lectures for the Chicago Anthropological Society, Chicago, Archaeological Society, Field Museum, Art Institute, Primitive Art Society, South Suburban Archaeological Society, Bertoncini Art Gallery, North Park College, Chicago Cultural Center, Oakton Community College, Savvy Traveler 1984–2001

Member, Advisory Committee for “Symbols of Power: Public Images in the Colonial, Prehispanic, and Modern History of Mexico,” proposed program NEH Humanities Programs for Adults, Field Museum, Chicago, 1985

Television interview, Our People/Los Hispanos, WFLD, Chicago 1986

Courses on Pre-Columbian Art at the Field Museum, Chicago 1984, 1986

Co-organizer and lecturer, raft trip to view ruins on Usumacinta River and other sites, 1987

Interview for Field Museum radio series on Indians of the Americas, “...In the Field”, 1987

Member, Advisory Committee for Webber Native American Resource Center, Field Museum, Chicago, 1986–88

Member of Board, Chicago Anthropological Society 1987–88

Lecturer, Stella Solaris cruise to view equinox at Chichén Itzá and to visit other Maya sites, 1988

Interview for Jan Weller Show, WHAD Wisconsin, Public Radio, Milwaukee, 1991

Lecturer, Ancient American Institute for high school teachers, Art Institute of Chicago, 1991

Lecturer, courses on Mesoamerica for volunteers, Field Museum, Chicago 1991,1995

Intensive course in spoken Yucatec Maya at the University of North Carolina and in Yucatán, 1992

Evaluator for NEH museum exhibition proposals 1992

Lecturer, tour of Yucatán and Palenque 1994

Lecturer for teachers, Illinois Board of Education, Springfield IL 1995

Interview for The Visitor radio show, WMCW, Harvard/Woodstock, IL 1995

Spoken Yucatec course, University of Yucatán, Mérida, Yucatán 1997

Newspaper interview, Diario de Yucatan, Mérida, Yucatán, Mexico 1997

Advisor and participant, A&E film The Unexplained: Secrets of the Pyramids, 1999

Panelist, Maya Art and Anthropology, for Ah Dzib P’izté: Modern Maya Art in Ancient Tradition, exhibition at Lake Forest College, 1999

Lecture on Pre-Columbian art for docents, Art Institute of Chicago 2000

Publications

Monograph

The Frieze of the Palace of the Stuccoes, Acanceh, Yucatan, Mexico. Studies in Pre-Columbian Art and Archaeology, number 31, Dumbarton Oaks, Washington, D.C., 1991.

Edited book

The Role of Gender in Precolumbian Art and Architecture, introductory essay and editor. University Press of America, Lanham, Maryland, 1988.

Textbook

Pre-Columbian and Native American chapters of 11th edition of Gardner’s Art Through the Ages (Fred S. Kleiner and Christin J. Mamiya, authors), Ch. 14 pp. 384–413, Ch. 30, pp. 940–959. Harcourt College Publishers, Fort Worth, 2001.

Exhibition catalogue

Indian Arts of the Americas: the López-Majano Collection. Catalogue of exhibition held at the University of Illinois at Chicago, May-June, 1979.

Articles in books

“The Dwarf Motif in Classic Maya Art”. In Fourth Palenque Round Table, 1980 (Merle Greene Robertson and Elizabeth P. Benson, eds.), pp. 141–154. Pre-Columbian Art Research Institute, San Francisco, 1985.

“Star Warriors at Chichén Itzá”. In Word and Image in Maya Culture: Explorations in Language, Writing, and Representation (William F. Hanks and Don S. Rice, eds.), pp. 287-305. University of Utah Press, Salt Lake City, 1989.

“Adela Breton in Yucatan”. In The Art of Ruins: Miss Adela Breton and the Temples of Mexico (Sue Giles and Jennifer Stewart, eds.), pp. 33–41. Catalogue for an exhibition, December 1989 to March 1990. City of Bristol Museum and Art Gallery, Bristol, 1989.

Entries on Mesoamerica: Introduction, Maya, Olmec, and Veracruz. In Encyclopedia of Mexico: History, Society, & Culture (2 vols.) (Michael S. Werner, ed.), Fitzroy Dearborn Publishers, Chicago and London, 1997.

“The Skull Rack in Mesoamerica”. In Mesoamerican Architecture as a Cultural Symbol (Jeff K. Kowalski, ed.), pp. 340–360. Oxford University Press, New York, 1999.

“El mundo clásico maya”. In Mesoamérica: un acercamiento a la cultura arquitectónica y urbana de seis ciudades (María de Lourdes Aburto Osnaya and Arturo Alavid Pérez, eds.), Universidad Autónoma Metropolitana Azcapotzalco, Mexico City, 1999, pp. 67–89.

“Acanceh”. In Archaeology of Ancient Mexico and Central America: An Encyclopedia (Susan T. Evans and David L. Webster, eds.), Garland Publishing, New York, 2001.

“La escultura maya en el área norte maya durante el Clásico terminal; del reino al multepal”. In Yucatán a través de los siglos (Ruth Gubler and Patricia Martel, eds.), Serie Memorias 5, Universidad Autónoma de Yucatán, Mexico, 2001, pp. 77–94.

Articles in journals

Miller, Virginia E., D. M. Varner, and B. A. Brown. “The Tusked Negrito Mask of Oaxaca”. The Masterkey, vol. 49, no. 2 (April-June 1975):44–50. Southwest Museum, Los Angeles. Spanish translation published in Boletín of Instituto Nacional de Antropología e Historia, Mexico, época II, no. 12 (January-March 1975):51–54.

Varner, Dudley M., V. E. Miller, and B. A. Brown. “Masked Stilt-Dancers of the Barrio San Pedro de Zaachila, Oaxaca”. The Masterkey, vol. 49, no. 3 (July–September 1975): 110–113. Southwest Museum, Los Angeles. Spanish translation published in Boletín of Instituto Nacional de Antropología e Historia, Mexico, época II, no. 14 (July–September 1975):55–58.

“A Late Classic Maya Polychrome Plate”. Bulletin of Allen Memorial Art Museum, Oberlin College XL(1) (1982–83):38–43.

“A Reexamination of Maya Gestures of Submission”. Journal of Latin American Lore, UCLA Latin American Center 9(1) (1983):17–38.

Book reviews

“La religión maya”, by Miguel Rivera Dorado. American Antiquity 53(4) (October 1988):883–884.

“The Face of Ancient America: the Wally and Brenda Zollman Collection of Precolumbian Art”, by Lee A. Parsons, John B. Carlson, and Peter David Joralemon. African Arts XXIII( 3) (July 1990):96–100, 104.

“The Ancient Americas: Art from Sacred Landscapes”, exhibition at Art Institute of Chicago and catalogue edited by Richard F. Townsend. Art Journal (Fall 1993):84–87.

“The Paradise Garden Murals of Malinalco: Utopia and Empire in Sixteenth-Century Mexico”, by Jeannette Favrot Peterson. Latin American Antiquity vol. 5, no. 2 (June 1994):187.

“Yaxchilán: The Design of a Maya Ceremonial City”, by Carolyn E. Tate. Journal of the Society of Architectural Historians vol. 53, no. 3 (September 1994):356–357.

“Painting the Maya Universe: Royal Ceramics of the Classic Period”, by Dorie Reents-Budet. Latin American Antiquity vol. 5, no. 3 (September 1994):278–279.

“Latin American Art”, by John F. Scott. Latin American Antiquity, vol. 11, no. 2 (June 2000):198–200.

In press

Human Imagery in the Architectural Sculpture of the Northern Maya Lowlands. To appear in volume on Maya representations, uses, and beliefs related to space (D. Michelet, P. Becquelin, & A. Breton, eds.), to be published by Universidad Nacional Autónoma de México, Mexico City.

In preparation

Art and architecture of Chichén Itzá
Mayan Revival Monuments in Mérida, Yucatan, Mexico

Review of The Road to Aztlan: Art from a Mythic Homeland, by Virginia M. Fields and Victor Zamudio-Taylor. For Latin American Antiquity.

Recent Papers

“Smoking Mirror at Chichén Itzá”. Presented at the annual meeting of Society for American Archaeology, Minneapolis, May 1995.

“Northern Maya Sculpture in the Terminal Classic: from Kingship to Multepal”. Presented at the International Congress of Americanists, Quito, Ecuador, July 1997.

“Sacrifice, Skullracks, and Smoking Mirror at Chichén Itzá: What the Aztecs learned from the Maya”. Invited paper presented at conference on Mayan Culture at the Millennium, SUNY Buffalo, April 1998.

“Mayan Revival Monuments in Mérida, Yucatan, Mexico”. Paper presented in Revivals session at the 30th International Congress of the History of Art, London, September 2000.

“Maya Architecture as Metaphor”. Invited paper presented at symposium on Maya representations, uses, and beliefs related to space, sponsored by the Laboratory of Ethnology and Comparative Sociology, the Maya Teaching and Research Group, and the Archaeology of the Americas Research Unit, University of Paris, December 2000.

“Lo que los aztecas aprendieron de los mayas”. Invited paper presented at the International Congress of Maya Culture, Mérida, March 2001.

“La producción femenina, textiles, y poder político en el área maya norteño”. Invited paper co-authored with Jeff K. Kowalski presented at annual meeting of Sociedad Mexicana de Antropología, Zacatecas, Mexico, August 2001.

“Textile designs in the Sculptured Facades of Northern Maya Architecture: Women’s Production, Cloth, Tribute, and Political Power”. Paper co-authored with Jeff K. Kowalski presented at session “Sacred Bindings of the Cosmos: Ritual Acts of Bundling and Wrapping in Ancient Mesoamerica” at annual meeting of American Anthropological Association, Washington, D.C., November 2001

Recent Lectures

“Women in Pre-Columbian Art”. North Park College, Chicago, 1994
Lecture series on Maya art of Yucatán. Instituto de Investigaciones Estéticas at the Universidad Nacional Autónoma de Mexico and Instituto Nacional de Antropología, Mexico City, 1996

“Adela Breton—A Victorian Traveler in the Yucatán”. Art Institute of Chicago, 1993 and Museum of Contemporary Art, Mérida, Mexico, 1997

“The National Museum of Anthropology, Mexico”. Joy of Art: World-Class Museums series, Art Institute of Chicago, 2000.

“Maya Architecture of Yucatan” (in Spanish), invited speaker, Instituto Tecnológico y de Estudios Superiores de Monterrey, State of Mexico Campus, Atizapán. Man: his natural and built environment...a century dies, a millennium is born, 1st International Congress of Architecture, 2000

Recent Conferences and Symposia

Co-chair, Indigenous Encounters Before the Spanish Conquest. Symposium for the annual meeting of the College Art Association, Chicago, February 1992.

Moderator for part of 2nd Palenque Mesa Redonda, on Architecture and Ideology, at Palenque, Mexico, June 1997.

Chair, Art of Mexico session, annual meeting of Midwest Art Historical Society, University of Illinois, April 1998.

Co-organizer, annual meeting of Midwest Mesoamericanists Archaeological Society, University of Illinois, March 1999.

Discussant, New Findings on Prehistoric and Ethnohistoric Societies in Latin America, Chair Anna C. Roosevelt, Central States Anthropology Society, Chicago, April 1999.

Co-organizer, Praying for Rain: Style and Meaning as a Response to the Environment in Ancient American Art and Architecture. Symposium for the 50th International Congress of Americanists, Warsaw, July 2000.

Exhibition

Indian Arts of the Americas: the López-Majano Collection. Exhibition held at the University of Illinois-Chicago, May–June 1979.

Selected Post-Doctoral Grants and Fellowships

  • H. H. Powers Travel Award, Oberlin College 1981
  • Fellow in Pre-Columbian Studies, Dumbarton Oaks, Washington, D.C. 1981–82
  • American Philosophical Society Research Grant 1983
  • Exxon Education Foundation Fellowship, Newberry Library, Chicago 1984 (deferred to 1985)
  • National Endowment for the Humanities Travels to Collections Grant 1984
  • Canadian Studies Faculty Enrichment Programme Grant 1985
  • English-Speaking Union Faculty Grant 1986
  • National Endowment for the Humanities Fellowship 1987–88
  • Fulbright Scholar, Guatemala 1993
  • Fulbright Scholar, Mexico 1996–97
  • Fellow in Pre-Columbian Studies, Dumbarton Oaks, Washington, D.C. 2002–03
  • Institute for the Humanities Fellowship, UIC (declined) 2002–03

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