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French Faculty John Ireland,Associate Professor, Director of Graduate Studies Ellen McClure,Associate Professor,Director of Undergraduate Studies Margaret Miner,Associate Professor. Sanja Perovic, Assistant Professor Elizabeth Dolly Weber,Clinical Assistant Professor
___________________________________________________________________________________________ John Ireland
Major Interests: Selected Publications: Jean-Paul Sartre, Kean, « Le Pari », Bariona (with Michel Rybalka) in Théâtre complet. Ed. Michel Contat. Paris: Gallimard (Bibliothèque de la Pléiade). 2005, 1,602 pages. « Le Kean de Sartre : personnage ou concept ? », Genesis 25.5 (2005): 31-46. « Jean-Paul Sartre », Twentieth-Century French Dramatists, ed. Mary Anne O’Neill. Dictionary of Literary Biography no.321 (2005): 334-352. “Sartre and Scarry: Bodies and Phantom Pain”, in Revue Internationale de Philosophie, 231 (2005) : 85-106. « Poétique et engagement: l'écriture quantique d'Armand Gatti ». Europe. 877 (2002): 34-50. "History, Utopia and the Concentration Camp in the Early Plays of Armand Gatti". In Claude Schumacher, ed., Staging the Holocaust: The Shoah in Drama and Performance. Cambridge: Cambridge U.P., 1998, 184-202. "A Speculum in the Text: Freud's "Katharina" and Maupassant's "Le Signe."" MLN. 113.5 (1998): 1089-1110. "Freedom as Passion: Sartre's Mystery Plays." Theatre Journal. 50.3 (1998): 335-348. "Sartre's Last Chance or What is Unfinished Literature?" Romanic Review 85.3 (1994): 419-436. Sartre : Un Art déloyal – théâtralité et engagement. Paris: Editions Place (coll. "Surfaces"), 1994, 238 pages. "Monstrous Writing: Serge Doubrovsky's Autofiction". Genre 26.1 (1993). Guest Editor and Contributor. Fellowships/Awards/Honors: Chevalier dans l’Ordre des Palmes Académiques. _______________________________________________________________________________________________________________________ Ellen McClure
. Margaret Miner Contact Details
: Major Interests: Selected Works: Resonant Gaps: Between Baudelaire and Wagner. Athens, GA: University of Georgia Press, 1995. "Fantastic Taste: Delphine de Girardin's Contes d'une vieille fille." Forthcoming in Dix-Neuf: Journal of the society of dix-Neuviémistes. Special issue on Delphine de Girardin, edited by Catherine Nesci. “Some Notes on the Navigation of Fragments: Baudelaire’s Music.” In Baudelairean Discourses. Ed. Sonya Stephens. Forthcoming. “Music and Theatre.” In The Cambridge Companion to Baudelaire. Ed. Rosemary Lloyd. Cambridge: Cambridge University Press, 2005. 145-63. "(S)(m)othering Baudelaire." In Baudelaire and His Heirs: The Poetics of Modernity. Ed. Patricia A. Ward and Marc Froment-Meurice. Nashville: Vanderbilt University Press, 2001. 157-171. "Devouring Streets: Jules Janin and the Abjection of Paris." MLN 113 (1998): 780-811. "Fur In My Brain: Baudelaire's 'Le Chat.'" In Understanding "Les Fleurs du mal": Critical Readings. Ed. William J. Thompson. Nashville: Vanderbilt University Press, 1997. 95-108. "Music in the City: Fragments of Open Air," Nineteenth-Century French Studies 23.3-4 (1995). 384-396. "Music Obscured: Mallarmé's Hermetic Mandore." Dalhousie French Studies 33 (1995). 35-54. "Phantoms of Genius: Women and the Fantastic in the Opera-House Mystery."19th-Century Music 18.2 (1994). 121-135. ____________________________________________________________________________________________________________________ Sanja Perovic Contact Details Major Interests: Selected Publications: ____________________________________________________________________________________________________________________ Elizabeth Dolly Weber Contact Details
: Major Interests: Selected Works: _________________________________________________________________________________________________________________________________________________________ Sage Goellner
“Assia Djebar and Eugène Fromentin’s Haoua: Cultural
Betrayal and Intertextual Transformation.” Equinoxes Graduate
Journal of French and Francophone Studies. Brown University. Winter,
2004. __________________________________________________________________________________________________________________________________________________
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