Bakhtin’s Approach to Dialogicity, Rhetoric, and the Fantastic

March 7, 2007 4:00 p.m.

Location: Institute for the Humanities (Lower Level of Stevenson Hall) 701 South Morgan Chicago, IL

Speaker: Renate Lachmann (University of Konstanz, Germany)

For further information, contact the Department of Slavic and Baltic Languages and Literatures at (312) 996-4412.


P A S T   E V E N T S

Grammar without Gravity:
Russian Aboard The International Space Station

Tuesday, October 24 2006, 10:00 am

329 Cardinal Room, Student Center East

Speaker: Leroy Chiao, Ph.D. U.S. Astronaut

Dr. Chiao will discuss the important role of Russian language study in his training and in his ability to successfully perform his duties as Commander of the International Space Station.

A veteran of four space missions, Dr. Chiao served as Commander and NASA Science Officer of Expedition 10 aboard the International Space Station in 2005. He has logged over 229 days in space.

He is currently the Smiley and Bernice Romero Raborn Distinguished Chair Professor, honoring Max Faget, in the Department of Mechanical Engineering at Louisiana State University.

 

For further information, please contact the Department of Slavic and Baltic
Languages and Literatures at (312) 996-4412

From Bambo the Black to Hans Castorp: Polish literature from a postcolonial perspective

Thursday, November 4 2006, 3:00pm

Institude for the Humanities, Stevenson Hall, UIC

Speaker: A Lecture by Dr. Dariusz Skorczewski, Kosciuszko Fellow



Upton Sinclair: The Lithuanian Jungle

Saturday, March 25 2006, 11:00 am

Speaker: Giedrius Subacius, University of Illinois at Chicago

In the fall of 1904, a young man breezed into the offices of The Independent, a Chicago newspaper. "Hello!" he greeted editor Ernest Poole, "I'm Upton Sinclair! And I've come to write the Uncle Tom's Cabin of the labor movement." When Sinclair's The Jungle was published as a book in 1906, it led to the passage of the Pure Food and Drug Act and became a classic piece of American fiction. To write The Jungle, Sinclair spent seven weeks in Chicago among the stockyard workers. In his talk, Giedrius Subacius explores why Sinclair selected Lithuanians as his protagonists and how he used the Lithuanian language and real people and places to craft a powerful and influential novel.

Admission is free. No reservations are required.

An Evening of Poetry with Tomas Venclova

When: Tuesday, May 3, 2005 at 7:00 pm

Where: Institute for Humanities, Lower Level, Stevenson Hall

Tomas Venclova is Professor of Slavic Languages and Literature at Yale University. He is the authoer of Winter Dialogue (a volume of poetry) and Forms of Hope (essays)

Click picture on the right to get full page poster.


Julia Vaingurt Lecture

Julia Vaingurt Lecture - Writing as Bodily Technology in Yevgeny Zamyatin's We

When: Thursday, April 7, 2005 at 2:15 pm

Where: UH 1650

Click picture on the right to get full page poster.


Jelena Grigorjeva's Lecture

Jelena Grigorjeva's Lecture - VIRTUAL IDENTITY IN THE EPOCH OF GLOBALIZATION

When: Tuesday, April 5, 2005

Where: Institute for the Humanities

Click picture on the right to get full page poster.


"House of Fools" film projection

"House of Fools" film by Andrey Konchalovsky.

When: Thursday, February 10, 2005

Where: Room 1650 University Hall.

Click picture on the right to get full page poster.

Click to open full page poster
Alexandra Kirilcuk Lecture


Lecture by Alexandra Kirilcuk (Harvard University)

When: Thursday, Nov. 18, 2004, 2:15 p.m.,

Where: Room 1650 University Hall.

The title of her lecture will be "Moving Mountains: The Spiritual Topography of Marina Tsvetaeva's Poema kontsa"


Prof. Dominic Pacyga Lecture


Professor Dominic Pacyga (Columbia College) will present a lecture

When: Thursday, Oct. 21, 2004, 4:00 p.m.,

Where: Room 1650 University Hall.

The title of his lecture will be "Slavic Chicago: Creating Community Among Chicago's Poles and Czechs Before World War I"

Prof. Thomas Lecture at University of Essex

Prof. Thomas will participate in conference titled: “Platform to Prague: an International Conference on Czech Surrealism."

The title of Prof. Thomas lecture is "Between Paris and Moscow: Sexuality and Politics in Interwar Czech Poetry and Film"
(time as yet unknown).

Where: University of Essex, UK

When: Sept. 29 - 30, 2004


Talk by Susan Mc Reynold

Talk by Susan Mc Reynolds (Northwestern University)

"Disraeli and the Merchant God: Christian vs. Jew in Dostoevsky's Historical Eschatology

When: Thursday, April 22, 2004 at 2:15 p.m.

poster for Susan Mc Reynolds talk

         What is the significance of Dostoevsky’s anti-Semitism for his writings? Belief in an impending apocalyptic confrontation between what he calls the Russian and Jewish ideas is central to Dostoevsky’s imagination, informing his novels as well as his immensely popular monthly journal, the Diary of a Writer. Despite the voluminous critical literature dedicated to Dostoevsky, however, this question remains unanswered. When Western critics do on rare occasions turn their attention to the presence of anti-Semitism in his novels, they dismiss it as the puzzling but essentially meaningless intrusion of a biographical enigma into literary texts. The Diary contributed more to Dostoevsky’s success among his contemporaries than any other text except The Brothers Karamazov, which rode on its coattails; yet the potential implications of the Diary’s anti-Semitism are contained by anachronistically dismissing it as inconsequential marginalia.

In this paper, I read the Diary and novels as redemption narratives. Both fiction and journalism, I show, are preoccupied with the Christian vehicle of redemption, the crucifixion. The crucifixion presents Dostoevsky with an untenable combination of what he perceives to be the essence of the incompatible Russian and Jewish ideas. The crucifixion joins what must remain separate: the Jewish idea—sacrificial exchange logic, God’s sacrifice of his child to benefit others—and the Russian idea of self-sacrifice. The Diary fixes the problem of the crucifixion’s contamination with the Jewish idea by advancing alternative vehicles of redemption, offering redemption through Russia, art, and war as pure self-sacrifice, purged of any Jewish element.

Reading the novels and Diary together shows that Dostoevsky constructs clear associations between the God against whom his fictional characters rebel and the Jewish authority figure, Disraeli, against whom Russia rebels in the Diary. Readers are led to associate the God who sacrifices his child with the Jew orchestrating the sacrifice of innocents in the Balkans; Dostoevsky leads us, in other words, to think of God as a bad father and a bad Jew. This association imbues the rebellions of characters such as Raskolnikov, Stavrogin, and Ivan Karamazov against paternal, political, and divine authorities with new significance. Through the seeming detour of what Dostoevsky scholarship has marginalized as his inconsequential anti-Semitism, we can understand the center—the struggle with faith and authority portrayed in his novels—for the first time.
E C S T A S Y
The Cinema of Central and Eastern Europe Series presents:

ECSTASY

dir. Gustav Machaty (1932), starring Maria Kiesler (Hedy Lamarr)

introduced by Professor Alfred Thomas

Thursday, Feb. 26, at 5:00 p.m.
Location: UH 1650
original ECSTASY poster
       
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